Over the past couple months, I’ve been participating in Musica Reflecta’s OPUS:Testing workshop for voice and live electronics. We’ve been exploring ways of live processing the voice through SuperCollider with Zach Clark and soprano Adanya Dunn. My piece, XIV, will be premiered on Feb. 1 at the Tranzac Club at 7:30pm in Toronto alongside other great pieces by Janit Sit, Amy Brandon, Amanda Lowry, Jonathan Adjemian, Leslie Melcher, Vasilis Mouskouris, and Peter Walton.
THEN THE NEXT DAY… I’m really excited that RE:connectwill gets its second performance at FOOT (Festival of Original Theatre) on Feb.2 at Robert Gill Theatre at 7pm in Toronto. Looking forward to presenting with a diverse program of works!
I just completed my new piece, without ground, commissioned by Blue Rider Ensemble for flute, cello, and percussion. I’m really excited to get to workshop and rehearse the piece in the winter! Performance info will be posted shortly.
Now I’m on to the next project, a piece for Caution Tape Sound Collective for their second show this season, Quintile in March, 2017. Some interesting instrumentation for this one: bassoon, viola, piano,keyboard(electronics), and percussion.
I’ve begun to work on a new piece for Blue Rider Ensemble to be performed in the winter of 2017. The ensemble comprises of flute, Liselyn Adams, cello, Paul Pulford, and percussion, Beverly Johnston. It’s an exciting project to take part in and I’m looking forward to get the chance to workshop the piece with the ensemble in the fall.